PRACTICE: NEW WRITING + ART

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PRACTICE: NEW WRITING + ART is published by by Practice Press, Inc., a nonprofit 501(c)(3) literary arts corporation formed to support artists, writers, and readers at work. Please join us.

Poetry Editor: Susan Tichy

Art & Design: Holly Holmquist, Merel Kennedy

Tom C. Delay, President; Diana Iles Parker, Treasurer; David Price, Secretary; Adrian Lurssen, April Arisian, Desanne Martin, David Brian Ward, Patricia Blanc, Thomas Ingalls 

                                                                                              -Martha Graham

 
        prac·tice      

VERB:
tr.

   1. To do or perform habitually or customarily; make a habit of: practices courtesy in social situations.
   2. To do or perform (something) repeatedly in order to acquire or polish a skill: practice a dance step.
   3. To give lessons or repeated instructions to; drill: practiced the students in handwriting.
   4. To work at, especially as a profession: practice law.
   5. To carry out in action; observe: practices a religion piously.
   6. Obsolete: To plot (something evil). Trick, scheme, or intrigue.

                        - The American Heritage Dictionary

The word PRACTICE brings to mind notions of craft. Writers and artists and photographers are skilled practitioners of craft, and magazines such as this one celebrate this fact in all of its beauty and diversity. That is all true. But what we also had in mind when we settled on the title was Reading, which is its own form of practice. We want more readers. We like to believe that more people should experience this interesting and worthwhile work -- we'd even venture to say that outside of academia more people want the chance to "understand" it -- and so we are trying to create a publication that immediately addresses the issue, these issues. For one small example, most contributors are provided the chance to introduce themselves or their work in a dedicated page at the start of their "section". These artist statements vary greatly (no constraints except in word count) and first feedback tells us that they are helpful to folks who might be arriving at this type of work for the first time. We also mix "traditional" prose (tending to an international focus, though not exclusively) with "innovative" poetry (awkward labels) because both offer a form of travel that we enjoy. We also believe that the disciplines belong together, and that readers who are drawn into the publication through more familiar essays will likely stick around for the challenging stuff -- especially if there are signposts along the way. You might fairly argue that none of this is particularly original. Even so, we wanted to let you know what we have in mind. When we say PRACTICE, we also mean reading.

For donations, make out checks to Practice Press, Inc. and mail to above address. Or e-mail your donation  via Paypal to editor@practicejournal.com -- any amount helps and is appreciated.

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Practice Press, Inc. relies on the financial support generously provided by donors, patrons, and friends. A warm thank you to the following for their underwriting of the magazine's debut issue: Harry Barton, Darek Defreece, Deb & Tim Tracy-Proulx, Daniel Delay, Matt & Desanne Martin, Srinija Srinivasan, Bruce & Theresa Raabe, William Saks, and the Practice Press board of directors.

Thank you also to editors & designers Susan Tichy, Holly Holmquist, and Merel Kennedy.

A final debt of gratitude to the writers and artists who trusted us with their work.

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